Artist: Moreno Viglione
Title: Sueño Andaluz
Label: Funky Juice records
Format: Digital download album
Cat. Numb.: fu.ju. 901-088
Release date : 28/April /2024
Worldwide Distribution: BelieveDigital
Number of tracks: 5
File under: Flamenco-Jazz // World Music
Tracklist
01 Volver A Granada 03:26
02 Sueño Andaluz 03:29
03 El Vuelo Del Cóndor 03:24
04 Noche Flamenca 03:49
05 Las Calles De Sevilla 03:33
The new compositions, all rigorously original and born from Moreno’s tirelessly creative flair, are dedicated to the splendor of the panoramas and atmospheres offered by the Andalusian region with its history, rich in passions, emotions and astonishing natural beauty. All this has given rise to infinite narratives, legends and mysterious tales, fascinating and full of profound mysticism. Immense warmth and vibrant sensations give us these songs which arise from travels, experiences and encounters made in one of the most beautiful lands in the world, rich in history, melting pot of masses and culture of the highest level.
The artist’s profound knowledge of the genre and his careful attention to the culture of origin of the populations who invented this contagious and energetic genre are the essential prerequisites for achieving an artistic result of a high quality level.
The new compositions, all rigorously original and born from Moreno’s tirelessly creative flair, are dedicated to the splendor of the panoramas and atmospheres offered by the Andalusian region with its history, rich in passions, emotions and astonishing natural beauty. All this has given rise to infinite narratives, legends and mysterious tales, fascinating and full of profound mysticism. Immense warmth and vibrant sensations give us these songs which arise from travels, experiences and encounters made in one of the most beautiful lands in the world, rich in history, melting pot of masses and culture of the highest level.
The artist’s profound knowledge of the genre and his careful attention to the culture of origin of the populations who invented this contagious and energetic genre are the essential prerequisites for achieving an artistic result of a high quality level.
Flamenco is a form of music and dance of Andalusian origin, made up of an almost out-of-tune song (cante), music and dance (baile), born at the end of the eighteenth century. It was not born as a form of entertainment, but as a need to vent joys and sorrows in an intimate and private language. We sang without the accompaniment of the guitar, making use only of bodily rhythmic supports, such as the tapping of the feet on the ground, of the hands or of the knuckles on the table. Today, however, it is a form of entertainment in all respects.
Baile flamenco was born as an individual dance, but with the Cafès Cantantes the choreographies were performed by groups of people or couples. The stage where the artists performed was wooden and the show was accompanied by a guitarist and one or more cantaores, three or four bailaoras (dancers) and two bailaores (dancers). It is an abstract dance that does not tell stories but states of mind. During the interpretation the dancers can go from sadness to joy in a short time, but the different emotions are easily identifiable to the public if the interpreter has the ability to convey them, in fact the most important aspect of the baile is the ability to interpret and only next comes the technique. Furthermore, the role of the audience is fundamental for the right atmosphere, the smaller the environment where the show takes place, the more communication between performer and audience increases. The bailaor looks straight ahead with an attitude of challenge and provocation, arousing at the same time confidence and conviction. The baile is the European dance that possesses, more than others, the power of isolating the dancer from the world around him. Flamenco is a dance with downward, introverted movements, in opposition to the lightness and elevation of classical dance. The baile flamenco technique is complex and requires years of study to be performed correctly. First of all, foot movements are of various types; Puntaado consists of small steps and intertwining of the feet, performed without making any noise. Desplantes are a series of blows performed with force and used to conclude a sequence of steps. Zapateado is performed by percussion of the ground using different parts of the shoe such as the heel, the toes or the sole. When it is short, the zapateado is called redoble, while the more extensive combination of steps is called escobilla. The llamada is a series of zapateado blows with which the bailaor calls the cante or a falseta.
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Moreno Viglione guitarist, composer, arranger and guitar teacher, boasts almost thirty years of experience. He has played on tour and in the studio with many artists of national and international fame. In the jazz field with some of the greatest exponents of gypsy jazz, such as Angelo Debarre, Samson Schmitt, Noe Reinhardt, Dorado Schmitt and Tim Kliphuis. On tour and on TV with Patty Pravo, Mimmo Locasciulli, Giorgio Tirabassi, Mark Hanna just to name a few. He was the guitarist of the resident band of the Webnotte (la Repubblica) broadcast hosted by journalists and music critics Ernesto Assante and Gino Castaldo where he played with many artists such as Ron, Enrico Ruggeri, Raf, Paola Turci, Massimo Ranieri, Nek, J- Ax, Malika Ayane, Francesco Renga, Nina Zilli, Fausto Leali, Carmen Consoli, Fiorello, Noemi, Luca Carboni, Syria, Mario Venuti, Francesco Gabbani, Manuel Agnelli, Fedez, Chiara Galiazzo, Max Paiella, Claudio Santamaria, Irene Grandi, Rocco Hunt, Alex Britti, Toto Cutugno, Nino D’Angelo, I Ricchi e Poveri, Federico Zampaglione, Max Giusti, Patty Pravo, Paola Cortellesi, Edoardo Vianello, Raiz, Peppino Di Capri, Rossana Casale, The Gang, I Nomadi, Lorenzo Fragola , Francesca Michielin, Alberto Fortis, and many others. With Piji and Bateaumanouche he participated in Fiorello’s broadcast “Edicola Fiore” for the month of February 2016 as guitarist of the resident band. Discographically he has collaborated with many artists, including Patty Pravo, Giorgio Tirabassi and carries out some original projects including the Hot Club Roma. He has three albums under his own name, Moreno Viglione Gyspy jazz quintet, M.V. Wood and strings and M.V. Maybe Blues Trio. As a composer for cinema and TV he wrote the soundtrack for the film “The Secret Guest”, the music for the Rai Tre broadcast “Circo Massimo”, original music for Ballarò and Di Tuesday and original songs for the first season “when Patrick met Kylie” for National Geographic.
All tracks published by Surabaya Music publ. (S.I.A.E.)
2024 – (p) & © Surabaya Music publ.
e-mail: promo@funkyjuice.com
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